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Electrelane

Valerie

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Playing music live is a giving. A gift to your audience of your guts, your insides – the stuff that is otherwise inexpressible. I need something to hold onto tonight, so Electrelane had better be good.

Especially since Valerie, in the final reckoning, are horrendous. In their good moments, they’re a female Fall; guitar riffs clanking hopelessly around a fearlessly belaboured drum kit, whilst singer Jo Lean belts out lyrics about pop culture and the never-to-die dream of the underground. They slag off Kathleen Hanna, because she wouldn’t let them support Le Tigre. Their drummer, Elvis, stalks to the front of the stage, carting the snare with her, smacks it about for a bit, then throws it over her head. Then stalks off. The guitarist smiles. I smiled at first, but then just got bored.

Electrelane are a band with a leader, Verity Susman. Unlike Valerie, they are musical. Valerie are about shouting out love and that’s it. It doesn’t matter to them that they can’t play. Electrelane’s sound, on the other hand, depends upon them being good players and some of their locked grooves are among the best I’ve heard live, although you’d get a similar thrill from Saloon. Let’s not mention Stereolab, the godparents. Some of the Electrelane rockouts, whether Steve Albini-inspired or not, do indeed fucking rock. When they hunch together in a tight knot, focused in on their drummer, Emma Gaze, they’re arguably at their best. However, when Susman pulls out a saxophone, you realise just how different she is from the rest of her band. She sings good melody too and it’s a surprise to a newcomer such as me to discover that the previous Electrelane output has been wholly instrumental.

They aren’t always good; they have an unhealthy tendency towards needlessly drawn out, say-nothing splurges with keys meandering in the foreground. When focused and sharp, however, the sound is stunning. I’m looking forward to the new Albini-helmed LP The Power Out. Presuming he encouraged them to cut the crap, it should be well worth repeated spins.

  • Electrelane 8 / 10
  • Valerie 8 / 10

Electrelane

'The Power Out' is good - go buy it.
NOW.
That is all.

Re: Electrelane

But why do they have to sing?
Why is it so darn different to the debut?
Why does it sound like an arty bangles?

Re: Electrelane

Indeed. Your point about the vocals is a just one - they're not the best. Took me a while to battle through them.

But it's still good.

Re: Electrelane

Yes, it's fantastic. Why no review of it yet?

Re: Electrelane

i liked the first album, and was excited about what it would lead to, but this second effort (admittedly after only one listen) is very poor indeed. I really want to like it, but the vocals are drab and toneless, and there's no bite or fulness to the production. I will persevere though.

Re: Electrelane

An arty bangles? haha sounds wicked in a peverse kinda way

Re: Electrelane

The new album is amazing, it takes them to a whole new place. Less Bangles, more Go-gos definately

Re: Electrelane

there's been no review because we're all drunk.

"an arty bangles" does sound rather ace though, doesn't it?

Re: Electrelane

i rather enjoyed them at the !!!/M83 gig though (which i forgot to review).

they made me want to be in a band.

not sure why.

but you have been warned.

Electrelane

it is a truely incredible album- but you do have to listen to it a few times to 'get' it i think. verity's vocals are off key, but i think it works very well at times. i (kind of) know someone in the band and she said that there will be no vocals on the next record. i really love the use of a choir on 'the valleys', and mia's guitar sounds remind me of tom verlaine. sort of spiky.

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