- Venue:
- Rock City, Nottingham »
Unrelenting. Meshuggah define the word. For just over a fifth of a century the Swedish tech-metal collective have, in different forms and guises, blown a path of destruction across the world and established themselves as one of the most important bands under the entire 'metal' umbrella. 2008's criminally underrated ObZen found them honing their craft further, condensing their black kinetic energy into some of their strongest material to date.
And it hasn't gone unnoticed. Tonight the soulless expanse of Nottingham Rock City is full of devout followers baying with excitement, unhampered by the early set-time and support act Trigger By Death, whose heavy but far from brutal two-dimensional death metal is almost at a contrast to Meshuggah despite some obvious musical similarities.
It is a credit to Meshuggah that within the close of the first track they have whipped the crowd into a frenzy, something not only due to the previous ailments but the fact that Meshuggah's output is for the most part extremely complex and head-banging resistant to even the most knowledgavle fan, built upon polyrhythms and riffs that seem to snap in&out of whichever time-signature drummer Tomas Haake throws out several times a second.
And it is Tomas whom is undoubtedly the centre of the band. With Meshuggah the percussion is not the backbone; it is the heart soul and brain. Every single monotone bark that escapes vocalist Jens' throat falls perfectly in line with a snare hit or double-bass blast. Even the duelling guitar work has a percussive nature to it, usually complementing instead of meandering into ego-driven solo's as is so often the case with similar bands.
And through it all the band are almost inconceivably tight, never miss a beat whilst somehow avoiding sounding robotic. With such a relentless performance (the band never pause for more than twenty seconds between songs) highlights are a moot point. Previous single 'Rational Gaze' and 'Bleed', taken from their latest full-length, garner the strongest crowd reactions but they could easily be substituted and subtracted without a loss in overall quality. Meshuggah have built a reputation on consistency as well as complexity, and deserve to be regarded as one of modern metal's most vital bands. Unrelenting yes, but in the very best possible way.
From the archive
-
Chasms ‘tween spasms, or close to the same edge? An Albatross and Cutting Pink albums assessed
-
DiScover: Copy Haho, Mt. St. Helens... and Papercuts
-
Cleared for Landing: DiS meets Jetplane's Andrew and Jamie
YES
i wish i'd have been there : (
It's all gone wrong
below the video
5KKKKK
i went to see the Shuggs...brilliant band live.
Trigger the Bloodshed, possibly the worst Death Metal wannabe's known to man. But hey, buy on to tours is cool! well worth the £20K... idiots.
yup
amateur html-ing skills from me i'm afraid. all sorted now. x x x x x
hmm
do go on..
Anyone who thinks they are head-banging resistant...
...needs a new head. Seriously, ignore all the window dressing about "complex polyrhythms" and you'll find them to be one of the grooviest bands out there. Listen to Catch 33 again...
its a good time
to be a prog metal fan
I don't understand Chaosphere
got bored.
And why is everything centred?
i've listened plenty
they are groovy sure..
...
Word. You only had to look around at the London gig to see this was true: Hundreds of people doing the low bow. It was glorious.
the london show
was amazing
The fact that Trigger the Bloodshed were so bad just highlights how good Meshuggah were.
The reviewer made a v good point that while they never missed a beat, they never sounded robotic.
My friend and I (who are both classically trained musicians) went to the pub afterwards and didn't speak for about 10 mins as we were trying to figure out how they did it.
Absolutely astonishing - one of the top five gigs I've ever been to.
Can't stop listening to them now.
Sorry...bit of a gush.
no no no
thats just the sort of replies i want!
trigger the
boredom.
They weren't very good at all, loads of people had recommended them but I wasn't impressed. It was a bit like Lord Of The Rings, lots of strange looking folk with badly groomed beards.
Meshugga on the other hand. There is a machine which has been finely tuned over the years, and the Brighton show was amazing.
I reviewed it for live and loud web magazine - loads of pictures.

Meshuggah
In Photos: Sinner's Day @ Ethias Arena, Belgium
In Photos: The Wave Pictures @ The Garage, London
In Photos: The Long Count @ BAM Howard Gilman Opera House, New York City
In Photos: Brainwash Festival, Leeds
Comments
- Post a new comment on this article