- Venue:
- Astoria, London »
See more photos of this show HERE
Towards the end of their set, Gareth of Los Campesinos! dedicates a song to DrownedinSound, citing us as a place that's covered the likes of themselves, Future Of The Left and Les Savy Fav longer than most. It's a good thing we have, because there's really not a lot I could tell you about the band based on tonight's show, as the PA at the Astoria seems to do that magic trick where it sounds like complete arse until the headline band comes on.
Through no fault of their own, the Cardiff-formed septet sound like a three piece, such is the muddiness of the sound, swallowing entire members' contributions. Thankfully, 'You, Me, Dancing''s epic crescendo manages to battle through the issues and sets spines tingling. As consistently brilliant as all of their songs are, it'll be a massive achievement for them to conjure up a musical moment as elative as when that riff breaks in. Somehow, though, I really wouldn't put it past them.
Future Of The Left, too, are utterly hamstrung by the sound issues, so there really is little of worth that I can say about their performance. I can tell you that I finally got around to listening to their album just recently, and while they're nowhere near as funny as Mclusky or as musically inventive as Jarcrew, they really know how to fucking rock. The obscenely aggressive stomp of 'adeadenemyalwayssmellsgood' truly slays, and just about overcomes the sound problems. The highlight, though, is Falco's dismantling of the drum kit during the final song: somehow it seems like the only sane reaction to being on such a massive, hair gel-sponsored stage with your guitars not entirely audible.
Tim Harrington is unassailably the greatest frontman in the history of rock music. (He’s certainly the greatest ever frontman _off stage, as LSF audience members will undoubtedly back up once they’ve wiped his sweat off their own brows – Ed.)_ Yeah, Iggy in his time could out-antic him, and countless people (Mike Patton springs to mind) have infinitely better voices, but who else can be so consistently entertaining and succeed in making people feel this good? It's almost spiritual. The fact that he's so far from conventionally attractive and yet so unbelievably magnetic only makes it better.
The true proof of Harrington’s greatness is that he's the only actually visually interesting thing about Les Savy Fav, and yet their gigs are unbelievably fun. Seriously, I can't easily think of a more generic band that gets so much kudos from ‘people who actually care about music’, but maybe that's the point - this is stadium rock for hipsters, U2 if they listened to a few Gang Of Four and Fugazi records (just try and tell me that those delay soaked lead lines don't sound like The Edge). It's almost depressing - the music just pushing the right buttons at the right times being utterly redeemed by Harrington costume changes, crowd missions and kinetic grandeur. A note-for-note straight cover of 'Debaser', which somehow feels better than seeing Pixies do it themselves, reinforces my feelings.
'The Sweat Descends' and 'We'll Make A Lover Of You' utterly, utterly rule, and 'Patty Lee' (anyone else think this sounds just like The Cribs? Just me then? Soz…) shows that they're still writing good 'uns, but instrumentally they're barely different to Editors or some other much-derided post punk-influenced beat combo. But I guess that's how it works - wouldn't want to risk taking the spotlight off Tim. Sav(v)y, indeed.
- Muse discuss U2 US tour, The Resistance + more
- Spotifriday #2 - This Week on DiS as a Playlist
- This Week's Singles: 04/05/09
- U2 - No Line On The Horizon
- DiSmissive: Mixing pop and politics
- The Weekly DiScussion: Is stadium rock back?
- David Byrne and Brian Eno 'finishing up' new record + Fatboy Slim news
- Nelson Mandela curates hip new London festival
From the archive
-
This Week's Singles by The Lipster: 12/01/09
-
Summit up: Snowbombing 2009 - The DiS Review
-
Blowing kisses to disinterested bitches: Yoni Wolf considers Why?
Seth's guitar playing
is way more inventive than Editors
this show was super-duper fun despite the dreaded Astoria sound issues, as you say
I agree
with your comments on Harrington being the only thing really worth watching while they're onstage but comparing their musical abilities to the editors is beyond the pale.
.
'Falco's dismantling of the drum kit during the final song: somehow it seems like the only sane reaction to being on such a massive, hair gel-sponsored stage with your guitars not entirely audible'
or another tip of the hat to Shellac as he's rather fond of doing (not that there's anything wrong with that)
poor joke i can't stop telling
If those Interpol guys get any duller they'll be sub-Editors.... hahahahahahahahaha!
the sound was dodgy
but seemed to get better the further central i went
yeah, slightly strange review
at times Les Savy Fav are musically incredible and Seth Jabour is an amazing guitarist. In fact, I think sometimes their music / songs get ignored because all the focus is on Harrington.
Seth is my number one guy
Ish.
He is totally freakin' awesome at guitar-ing.
I don't think the sound was that bad
But then I was fairly-front centre for all three bands.
Los Camp! were disappointing not because of the sound, but because of Gareth's miseryface.
I dunno about Astoria's sound issue et al
but these are the types of gigs I wish I could laugh, cry, and celebrate with you guys.
Nice review, Christopher.
Original Review Is Slack.
Terrible opinion on the bands, though spot on with sound. To compare LSF with Editors, and saying "It's almost depressing - the music just pushing the right buttons at the right times being utterly redeemed by Harrington" - Do you even know the band? Musically inventive beyond comparrison. God if they were 10 years younger you'd all be creaming your selves over the new ATD-I. No one comes close to touching them. Peerless!
To concentrationface's comment, that is...
Sometimes I wish Tim Harrington'd quit pricking around so that people could/would focus on the intstrumentals behind the tracks, as that's undoubtedly the strong point behind LSF's material.
To be fair
He was doing this with mclusky as well, on the final tour at least.
the sound for los camps was bollocks
by the bar, which is where i was - always the same with the astoria though. best place to be is behind the sound desk
I thought the review
was spot-on - LSF's guitar sounds are really weak and sub-U2ish. I found it mildly depressing because it seemed as though Harrington was making a big effort to rock out in spite of the music, not because he was in any way lost in it.
The sound was great if you stood right next to the speakers, though. :-)
.
'LSF's guitar sounds are really weak and sub-U2ish'
have you ever listened to a LSF album?
I felt very bad for los campesinos
the sound was terrible for them, I was very annoyed by that. But overall the evening was pretty darn good - I loved what I could hear of Los Campesinos, and Future of the Left to a degree, and of course Les Savy Fav.
No offence to anyone here, but I thought the audience was a bit rubbish - didn't seem to want to enjoy the evening.
This review is
gash.
This comment is
gash.
The sound wasn't...
THAT bad. Though it sounds like someone's day was if you really couldn't find something worthwhile in one of those 3 bands' performances...
I do tend to agree with you about LSF though
I said to my friend, they feel like the natural evolution of 80's / 90's stadium rock, with the odd left-of-centre punkier effort thrown in there
who couldnt find anything worthwhile?
i gave the bands 8, 6 and 8
Well you have NOW
But you hadn't earlier, had you?
8/6/8 seems a bit higher than the review hints at, but each to their own. From where I stood, it was more 6/8/7
Actually
where you stand at the Astoria does make a massive difference. Behind the sound desk is kind of good. Upstairs varies a lot. Downstairs is ok if you find the crosshairs...
Was at the front..
and the sound was good but yeah Astoria always has sound issues...
I enjoyed the gig (i always love seeing LSF live) but i did feel Harrington wasn't his usual bouncing self... well maybe just not as much as usual.
i had earlier
the scores are visable in some views and not others. i think in one view you see a picture at the top, and another you see a score. you see the scores if you click from my profile to here, but the picture if you click from the front page, oddly.
i was stood dead centre of the ground floor
and regardless of whether there are numbers at the bottom
"consistently entertaining and succeed in making people feel this good? It's almost spiritual" is a very very good thing.
i just thought it was worth mentioning that most of their instrumentals are very, very average
No definitely
I just thought that the whole thing read like all the bands were having off days or were far from spectacular, so I would have thought 6's or 7's all round would have been more reflective of the evening, thats all...

U2
Les Savy Fav
Future Of The Left
Los Campesinos!
In Photos: Wolf Gang @ Hoxton Bar and Kitchen, London
In Photos: Gay For Johnny Depp @ The Engine Rooms, Brighton
In Photos: Arctic Monkeys @ Wembley Arena, London
In Photos: The Flaming Lips @ The Academy, Manchester
Comments
- Post a new comment on this article