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Nastyfest VIII

Emmy the Great, Black Lips, Voxtrot, DiS DJs, Lovvers, Elvis Perkins, Deerhunter, Grammatics, Eugene McGuinness, Cowtown, International Trust, and Cage The Elephant

About the venue

About the artists

24713

Nine Black Alps

Nine Black Alps are:
Sam Forrest - guitar playing and singing
James Galley - drumming and singing
Martin Cohen - bass
David Jones - guitaring and bassing

MySpace

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19904

Emmy the Great

Emmy The Great used to be in a band. Then one day the band stopped showing up to rehearsals. And when she bumped into the band at college or at Sainsburys, her band would go 'Look! Frank Sinatra!' and scarper. So Emmy took the hint and started playing by herself.

Sometimes she plays with a mysterious man with a violin bow. Sometimes she also plays in groups.»

27107

Black Lips

Retro-blues lo-fi outfit made up of Cole, Jared, Ian and Joe... and King Khan(?). They call it 'flower punk' (or rather they've been called 'flower punk'). It's fairly swell whatever the hook you hang it on. For fans of The Germs, The Hunches, The Stooges, et cetera.

Black Lips formed when, as teenagers, after-school friends Cole Alexander (guitar / vocals) and Jared Swilley (bass / vocals) signed up their friends Joe Bradley (drums / vocals) and Ben Eberbaugh (guitar). They swiftly becoming one of the Atlanta underground's most talked about bands, they were banned from numerous venues for their wild live shows and released albums and seven-inches on different underground garage labels like Bomp and In The Red. Tragically, Eberbaugh was killed in a freak traffic accident but the band carried on with New Orleans-born Ian St Pe. These events would go on to influence the song 'How Do You Tell A Child That Someone Has Died', a standout track on album four, Good Bad, Not Evil.

In The Red website
MySpace

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9047

DiS DJs

Some people from DrownedinSound.com playing some records»

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Lovvers

Jagged blues fiery rock and furious punk shapes... Lovvers may feature former members of The Murder Of Rosa Luxemburg. They may also cut all that fret-wankery out of their music entirely, and grasp at the jugular like a maniac with murder on his mind.

Lovvers are:
Shaun Hencher, vocals
Michael Drake, bass
Henry Withers, guitar
Stephen Rose, drums

MySpace

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20733

Elvis Perkins

MySpace

Elvis Perkins was raised in Los Angeles and New York and took to music at an early age, perhaps an inevitability if Elvis happens to be your name. He briefly learned the saxophone, before picking up the guitar in high school and taking lessons with Prescott Niles, one-time bassist for the Knack. While he played in rock bands, Perkins also developed an interest in the classical guitar, and began to compose music in both idioms. He wrote poetry too, which gradually morphed into lyrics. After a short stint at college, he began to cultivate the idiosyncratic, highly personalized style that distinguishes Ash Wednesday, a process which for Perkins was “a long journey, long in the coming”.

Perkins’ debut album started life as a collection of home-made demos, which were cut to analog tape, then fleshed out (with the help of a small group of friends and fellow musicians), in a Burbank studio and at a Victorian house in L.A The resulting material is Ash Wednesday, a beautiful album in which Perkins transforms circumstances of his personal life into compelling, dream-like songs with lyrics that teeter between the specific and the surreal.

For the last year and a half, Perkins (alongside his three-piece band: bassist Brigham Brough, keyboardist/guitarist Wyndham Boylan-Garnett, and drummer Nicholas Kinsey, known collectively as Elvis Perkins in Dearland) has been playing club dates throughout the USA to increasing acclaim. Perkins’ live reputation has grown, along with his audience, aided no doubt by enthusing on-line bloggers. After a performance at Rockwood Music Hall, on Manhattan’s Lower East Side, folks at Stereogum declared, “We were sold on the spot – fuss-worthy folkies just don’t come easy...Double bass, harmonica and strings color these lyrical laments, but the man’s easy melodicism is the real charm”

In writing, Perkins prefers the poetic to the polemical; his lyrics often have a whimsical quality, their melancholy aspects counterbalanced with an undercurrent of hope. He repeatedly returns to images of sleep and dreams and flight, as if we might all wake up at once and find ourselves in a far better place.

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29367

Deerhunter

  • Bradford Cox
  • Moses Archuleta
  • Josh Fauver
  • Colin Mee (left briefly in 2007)
  • Lockett Pundt

Deerhunter began in 2001 as the brainchild of Bradford Cox and Moses Archuleta, with the ambition of fusing the lulling hypnotic states induced by ambient and minimalist music with the klang and propulsion of garage rock. Due to shifting line up changes and uncertainty about what musical direction to undertake, Deerhunter shows during this time period were very interesting. One never knew quite what to expect with each show being completely different from the previous show. After definitively adding Josh Fauver and Colin Mee, Deerhunter recorded their self-titled first album, often known as Turn it up, Faggot (2005, Stickfigure) after what had been yelled at them at numerous gigs.

Cryptograms is their second full-length, and their first for Kranky. The album took almost two years to finish and was the product of emotional, physical, and financial strain on the group. The first half of the album was recorded first unsuccessfully and the band considered giving up. The idea arose to give it one last shot and they returned to the small studio where they recorded their first studio and plugged in. The session resulted in the first half of the record which was recorded in one day. The second half of the record was also recorded in one day, in November 2005.

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Grammatics

“Vive le difference” sings Grammatics’ Owen Brinley on ‘Polar Swelling’, and if you’re looking for an approximation of what this band are all about then there are infinitely worse starting points.

If, on the other hand, you’re searching for the next Libertines or Arctic Monkeys then do yourself a favour and stop reading now. Grammatics can be defined just as easily by what they’re not as what they are: there’s no place here for recycled musical ideas or contrived social realism.

Formed in early 2006 in Leeds by Owen and drummer Dominic Ord, Grammatics’ mission was and is to combine their disparate influences to make cultured, artistic pop music by their own elaborate rules.

Grammatics are: Owen Brinley (guitar/vocals/keys/sampler), Dom Ord (drums), Rory O'Hara (bass), Emilia Ergin (cello/vocals)

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22621

Eugene McGuinness

MySpace

Eugene McGuinness, 21, has been playing solo for only a year, but has been attracting attention with his new take on the singer-songwriter stereotype. Born in London, with an Irish upbringing, Eugene is currently playing live throughout Liverpool - and anywhere he can afford the train to.

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24081

International Trust

Raucous punk-power-pop.

Neil Hanson - Vocals
John McGahey -Drums + Vocals
Simon Glacken - Keys + Vocals
Rob Chew - Bass + Vocals
Drew Lunn - Guitar + Vocals

MYSPACE. »

Cage The Elephant

Kentucky punk-funkers»