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Ill Ease is Elizabeth Sharp, a one-woman punk-rock band. She uses a sampling pedal to repeat bass and guitar patterns and then plays super tight drums underneath. Loop sets normally get their allure from their ability to build up something that a live band with less than 134 members couldn't accurately recreate, so you'd maybe think that basic, femme-y grunge-punk using the format would just be a poor substitute for a full band, but t'isn't the case. As with so many other things in live music, it all hinges on the character of the performer and Sharp is such a bag of nervous energy and wide-eyed spookiness that you can't look away from her long enough to really notice that she's the only person on the stage. It’s hooky, grungey fun, and she leaves the audience wanting more.
Enon’s John Schmersal is equally captivating, but, despite the equivalent frenzy of his performance, his persona is more grounded in the consummate showmanship that comes from his 13 years in rock since he first joined Brainiac, theatrically flouncing around, again with the starey eyes. And they’ve got a pretty great sound going on – pounding drums and punchy, melodic bass, Schmersal coating it all with his FX-drenched guitars. Unfortunately, this is pretty much all you get – not once does he give his pedals a rest and your ears a glimpse of what he’s actually playing, and the rest scarcely diverges from its path of professional, tight pop-rock. Whilst Ill Ease is fairly two dimensional, it was over in 20 minutes or so. What feels like two hours of one idea just seems to drag on-enon-enon-enon.
- Enon, Ill Ease at Brixton The Windmill, Lambeth, Sun 25 Nov
- Enon, Ill Ease at Brixton The Windmill, Lambeth, Sun 25 Nov
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sooooo
if you only stayed for say the first six or so songs and thought it was ace then it was a sensible decision? I was actually amazed at how mainstream they sounded as i expected more of a harsh noise and off kilter tempos, so it was pleasant surprise :) having actually heard their albums now am even more impressed, so think the next time will help if you know the songs. possibly.
i seem to remember that the final tune
was pretty great, but yeah, small doses and all that jazz
I get the idea you didn't like it when they played messy?
although I'm sure they finished on a particularly noisy effects-laden rendition of Conjugate the Verbs, but doesn't that contradict what you said in your review a little? Maybe I'm reading it wrong, but I'm just not quite sure what you're trying to say about them in the review.
I think we have different views of the gig. The majority of the set was made up of material off of Grass Geysers... which, I think, clocks in at just over 35 minutes on record plus they played a couple of choice cuts from their other albums. So, if anything, I personally would've liked them to have played longer than the hour or so that they were on.
I found the band to be reassuringly tight and thought it was great hearing whatever jarring guitar lines and odd sounds Schmersal conjured up. Sure at times he made it look easy but I can't begrudge him or the band for knowing their instruments. I suppose I'm a bit surprised to see the gig get a 5 rating, especially given that Ill Ease's slightly mundane but endearing set received an 8. I thought Enon rocked it from start to finish, did the business and left and if that's one paced then I'm all for it.
Maybe I'm just a sucker for a guy playing guitar with his mouth though.
there was no problem with "messy"
just with "near identical throughout"
a friend went, but she doesnt care for technical shit
john is an amazing guitarist, amazing

Enon
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