“Fretless bass”
“Smooth operator”
“Dude, they are actually awesome”
Propped against a wall, proper-glass pint in one hand (go downstairs – those plastic cup things are almost as awful as the actual beer in ‘em) and mobile phone in the other, I’m relaying first, second and third impressions to another DiS writer. Yeasayer haven’t been here before, but they’re making the most of their debut visit to London – tonight marks the first of the Brooklyn-spawned four-piece’s seven shows in this nation’s capital. The Barfly crowd gradually shuffles forward as songs turn to tribal dances of celebration, hands aloft and clapped together like thunder, percussion a rippling and persuasive melody that infects our veins like rage made outta candy-coated rainbows.
They’re seeing something special and, three songs in, they realise it.
All members shout and scream and holler in unison and one after the other; it’s a vocal circle, with keys depressed to trigger wandering rhythms and all manner of shakers employed to skitter about each song’s core like leaping leprechauns tap-dancing around the pot they guard so haphazardly. It’s like seeing Animal Collective for the first time – an experience that so neatly transcends the regular show about town, with such a natural and organic feel to everything, that one is immediately baffled as to how this band pulls this off night after night. Perhaps they don’t: perhaps we’re special, right-place right-time sorts who’ve caught Yeasayer on great form. _Or_, this is a set plagued by nerves. If so, the remaining London shows are do-not-miss events to be cherished in the memory long after the quartet fly homewards.
The half-hour set is peppered with songs sure to become classics of their kind once the debut album arrives in October. ‘Wintertime’ is a slow-churning epic of eastern rhythms and contemporary freak-folk-isms – it’s like Entrance possessed by some sort of Metal Guru; ‘2080’, meanwhile, is a chant-along unlike anything these senses have been subjected to in 2007 – it’s out on seven-inch next week and comes double-thumbs-up recommended based on this rendering.
And yes: fretless bass, and not masturbatory in the slightest. Well, sort of – but it’s tolerated, this indulgence, when the end product the constituent parts create is so wonderfully enveloping. Actually awesome.
Catch Yeasayer for zero pennies at this Saturday's DiScover Club - details here.
- Listen: Yeasayer - 'Ambling Alp'
- Spotifriday #21 - This Week on DiS as a playlist
- New Yeasayer album details unveiled
- In Photos: Bat for Lashes @ Sheffield University
- Close to P4K-tion: DiS does the Pitchfork Music Festival
- Reading/Leeds '08: What Our Writers Thought
- Reading/Leeds 2008: what the bands thought
- T In The Park Diary Part 2: Sunday 13 July
From the archive
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DiScover: Manatees
-
DiS All-dayer - BACK ON! (change of venue)
-
Battles: Tyondai Braxton talks Mirrored
i just heard this band today
and i'm already half-obsessed. their songs up on myspace are like totally amazing. i'm definitely going to see them this weekend sometime.
No review of the other bands, Mike?
Surely Down I Go (at least) deserve a mention. They're brilliant.
They are, but...
...it's not like they don't already enjoy the DiS thumbs up (their dirty botties).
I saw them at the old blue last
on wednesday - enjoyed, but only caught last two songs. Going to see them tonight at the dublin castle methinks..
here i go again...
saw yeasayer last night at the social. no no no no no no no.
they are the antithesis of all that is punk rock (and as a result, all that is good about music). there's the beatles psychedlia (surely the beatles worst period), the neil young vocal close vocal harmonies (the least interesting part of neil young), the vangelis keyboards and bad synth drums (actually, that's the best bit about vangelis, but they somehow make it sound laboured).
the lyrics are nonsencical, "baby, i'm stuck on you", like a post it note that says "kick me" perhaps. and then all that wailling. really, is life that bad?
you feel that they've latched on to the dancier end of things in the hope of fitting into a "scene", any scene, but there's not enough there to make you dance before the mastubatory end of what they do returns to the fore. even worse, the dancier end is token at best and postively uninspired when compared to people doing a similar line in atmospheric beat lead electronic music over a decade ago (Aphex Twin, Sabres of Paradise).
the single is good, in isolation, and they are definitely an original band (in the breadth of their influences and ambition even if not in their musical output) but as a whole it really doesn't work.
I agree with the
first sentiment> Yeasayer are definately not punk, neither trendy (i mean, fretless bass WTF!?)nor do they sound like anything around at the moment IMO. True, the drum machine was fairly horrible at some points and some of the lyrics were crap. Frankly, i should have hated this band, but i really enjoyed it. Something different from all the frowns and four-on-the-floor drumbeats (yes..Foals i meean you).
did you consider
they have no desire to be Punk Rock?
this entire comment is so far wide of the mark, i strongly advise anyone who has read it to disregard it completely and just listen to the band.
what on earth made you think they were trying to be a dance band for goodness sake? because they used some electronic sounds? that is ridiculous.
well my premise is
all that is punk rock is all that is good in music. punk rock being not just a musical genre but an ethos (read this band will be your life for better examples, or any biography of Liszt or John Cage).
if they didn't desire to be punk rock as described above i'd be even less inclined to listen to the rest of their music, but to be honest rather not speculate about their intentions, which are unknown, but talk about their music (and the gig) which is known (and which is what i did talk about, albeit a different one which I made clear).
the dance influence is pretty obvious when they flit into an ambient techno groove and dispense with the guitar/vocal harmonies which make up most of the set.
and at no point do i tell people not to listen to it, just that i don't like it and give the reasons why. two people who's opinions i respect both state they did like it and mine was a counterpoint to this.
without wanting to drag this out
"well my premise is
all that is punk rock is all that is good in music. punk rock being not just a musical genre but an ethos (read this band will be your life for better examples, or any biography of Liszt or John Cage)."
...is a really odd statement. Unless you are pretty much saying that you dislike most popular music. Which would then just seem to make you sound narrow minded.
Why exactly is punk rock "all that is good in music."? elucidate, please.
if you want to, that is.
ok you got me...
here's my best shot. punk rock is described (by me at least) as making music you're not supposed to, breaking rules and challenging conventions, but any music which relies on intellect as it's primary motive for invention isn't punk rock.
maybe it was this one gig but the band sounded to me at least a little too thought out and the wailing a little affected. maybe it's a reaction i have to a certain style, the prog/psychedlia end of things, not sure...

Yeasayer
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