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For a band that neither looks nor sounds like they’re enjoying themselves, it seems that tonight, at the second of Interpol’s two shows at north London’s Alexandra Palace, Paul Banks, Daniel Kessler, Carlos D and Sam Fogarino might be allowing themselves a smile or two.
As their foreboding entrance music bounces around the 19th century hall and purple light drapes the stage like a silk blanket in a bordello you wonder at what point exactly the New Yorkers went from fair-sized indie outfit to stadium rockers, albeit London’s indie arena of choice which in recent months has featured, or is due to feature, Arcade Fire, Arctic Moneys, Editors and Bloc Party. That’s not to suggest that they’ve not got the skills to pay the, er, venue hire, but 16,000 Londoners can’t be wrong.
Opener ‘Pioneer to the Falls’ casts a spell over the rowdy crowd as a silhouette of Paul Banks is smothered by the artwork from the band’s latest long-player Our Love To Admire _which is projected onto the giant screen behind the band. Singles from the record are joined throughout the night by old stagers from _Antics and_ Turn On The Bright Lights_ like ‘Slow Hands’, ‘Narc’ and ‘Obstacle 1’. A few songs (and token-bought pints of Carlsberg) after ‘Pioneer…’ the crowd slowly begin to move as the atmosphere emanating from Dan Kessler’s pickups slowly makes it way down the back of the venue.
One of the best things about the band's relatively staid live show is the odd formation employed by the three guitarists. Banks stands still at the microphone, while Kessler runs round in circles like a hyperactive six-year-old - albeit one with large sideburns. Carlos, meanwhile, either stands forwards or backwards staring at the back wall while the wall stares back. He looks like the indie Colonel Sanders, incidentally.
As beautiful as Owen Jones’s Palace is, the sound tonight is, as you’d expect from a hangar-sized room, terrible. As Carlos D’s bassline opens the exemplary Evil, it’s difficult to recognise as it bounces around the blanketed roof like a lost helium balloon. It’s a shame because tonight Interpol confirmed their promotion to the big leagues: they’re a hit away from playing venues like this all over the country – not just London. And you wouldn’t begrudge them it either.
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Saw them on the thursday
and they put on a great show but my enjoyment was tainted somewhat by the cnuts going round stealing phones and wallets. There were 8 or so that went missing down the front and I also heard someone else saying that someone was trying to pull their handbag off them. Did this happen on Friday as well?
i didn't see any nicking
i was mainly dying of flu though, so was doing my best to watch the band. I did see a chap getting manhandled out of the building for lighting a ciggy though...
NB Interpol are on the radio AS I TYPE.
i
stood near the PA speaker and hence could hear a bit.
The sound was no worse than KOKO. But that doesnt make it less bad.
definate 9/10 - great setlist - PDA was absolutely stunning.
Not a great review.
I must be one of the only people who thought the sound was good and clear. Much, much better performance than when I saw Interpo at Brixton a couple of years back.
Blonde Redhead were fantastic. Great songs and great chemistry on stage.
I agree
I went on the Thursday & the sound was near perfect from where I was standing. Drums sounded ace big & punchy, thought the band were mixed really well, could pick out each instrument clear as day.
I also saw them at Brixton a couple of years back, the sound that night was weak.
I'd love to see Blonde Redhead again, only caught the last couple of tracks of their set. At least I got to hear 23 :) they are a lot heavier live.
fair
i stood on the right near the front and then at the back to see if it was any better. in the first instance it sounded like it was going right past me, when i went to the back it barely reached. i don;t think the flu helped either.
haha
everyone was a brixton in 05 aswell then! I think the sound was ok, it was literally just the bass was a bit lost. Otherwise it was fine!
The drums sounded amazing, especially for Blonde Redhead... they should have turned them up on the album!
summery of interpol gigs and sound in London:
Brixton 05 - no bass?
Koko 07 - No bass at all, vocals too quiet, interpol werent actually that good. But its fine as we got into the aftershow
Astoria 07 - Perfect - Interpol were perfect aswell
Ally Pally - Needed more bass. Other than that fine
I
was there and I agree totally with this review.
Ally Pally needs bombing though.
And
anyone who thinks it's a nice atmospheric venue is a total cunt.
I was totally unwhelmed.
sadly.
Blonde redhead were fantastic as always though.

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