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Queens of The Stone Age

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They might as well have shit in our drinks.

Leaving London’s 100 Club, DiS is split like a pistachio, our insides a’peeking from ‘tween sides of a shell sliced: yeah, we liked what we saw and heard and got sweaty to, but at the same time there’s a stinking and sour aftertaste lingering like the dinner from last week that’s sat in your kitchen bin in direct sunlight since you scraped it there with the best intention of taking it outside the morning after. And the longer we dwell upon it the worse it becomes – something is rotten in the camp of Queens Of The Stone Age, tonight at least.

Not that we’d ever tell them, mind you – as lead-cum-core Queen Joshua Homme (that’s pronounced “mommy”, since you didn’t ask) strides past an already-two-pints-in DiS, we’re left jaw agape by the man’s stature. Tall doesn’t come close, and neither does beefy, or butch, or fuckin’ell – this man could, absolutely conceivably, eat your parents’ house with them and the pets inside, as well as the detached garage and next door’s shed. In a mouthful. And then shit the bricks like bullets and fart as loudly as a nuclear test explosion somewhere in Godzilla country. When he grabs a guitar its neck bends in fear of what’s coming; most of his band mates keep their distance, no mean feat given the cramped stage.

So we’re afraid, is what we’re saying in a nutshell (oh boom boom already); afraid of revealing to anyone of particular importance that tonight’s not-really-secret show isn’t the show it could have been, that it should have been. At around £20 a ticket, once booking’s been added, and with the bar charging a flabbergasting £3.50 for a pint (plastic) of lager, money is being leaked by all in attendance at an alarming rate. They demand a special show – a greatest hits set peppered with a couple of will-be-hits from the forthcoming Era Vulgaris is, allegedly, on the cards pre-performance; whispers encircle the bar, fantasy setlists are exchanged.

But we get short-changed: during a set that lasts for about an hour, QOTSA pull out only a tiny quota of the smashes they’ve written in the past, and that’s being generous. It’s not like ‘Little Sister’ nor ‘Burn The Witch’ can hold their own against ‘Go With The Flow’ or – oh please oh please come back for an encore and play it – ‘The Lost Art Of Keeping A Secret’. They’re makeweights in a catalogue of absolute killers, flotsam from the wreckage churned up in a tumultuous sea battle where QOTSA Old meets QOTSA New in a cannonball run-for-your-lives. Sure, new singles ‘3’s And 7’s’ and ‘Sick Sick Sick’ are fine, sleazily debauched slices of powerful pop-rock – the latter especially – but they’re not what we want, damnit. Era Vulgaris is grand – we’ve played little else at the DiS office of late – but do we really need seven new songs in a set that only runs to eleven offerings all told? With no encore? No, no we don’t.

Homme has since told NME.com, “I only wish we could have played for longer. We had to do this promo tour so we just begged them: 'can we put some shows in?’” Josh, you trudged off stage at ten past ten. You went on after nine. Ten past ten, Josh – you could have played an albums’ worth of songs on top of what you’d already executed under lights that flashed like landing strips having seizures. Josh, you’ve let us down.

_ But, QOTSA are still brilliant at what they do, and while appetites for a landslide of bona-fide crowd-pleasers go unsatisfied en masse, there’s still the ultimate impression that the set was A Good One. There were no stinkers, no lows, no pitfalls that the band stumbled lazily into, auto-piloting their way through their most recently learned material. It all sounded _good, despite a few boos come its climax. Yet, we’re still left with a pungent frustration, our bellies rumbling as we wander off to find another watering hole at ten past ten.

Ten past ten, Josh. While we're glad you didn't shit in our drinks, you could have invited us to stay for a few more.

Photograph from the Flickr.com page of kesslerkk, aka Keri Kennedy; please look at her nice pictures and tell her we sent you. _

  • Queens of The Stone Age 5 / 10

why

you're in fine form today, mike

Well...

It does sound a bit unlike them, especially since their last visit to London (excluding their support slot at the Foo's Hyde Park gig) comprised two shows at Brixton and at Kokos, both of which lasted two hours and were true "greatest hits" sets. It's understandable that they want to use a small show like that to try out new material though.

One question... if you've been listening to nothing else in DiS HQ apart from 'Era Vulgaris', then where's the album review? I'm impatient. Can't wait for the new album. '3's & 7's' is an excellent lead-off single, and frankly, QOTSA could shit in my drink, and I'd let them off, just for being so goddam awesome.

If they had played the following

Lost Art of Keeping a Secret
No One Knows
Go with the Flow

I would have puked in my pint. Everyone has that gig was there for one thing and one thing only, to hear the new album & that's what we got. I wasn't bothered that they didn't do a greatest hits set, I wanted to see how well they would tear up the 100 club with the new songs.

I felt the atmosphere let everything down, about from about 75-100 fans, everyone else were record execs etc.

damn

glad i went to linkin park now!

Scarily enough

...The Guardian gave the Linkin Park gig five stars.

According to bulletins

by Winnebago Deal there was some fisticuffs between them and Hommy because the Deal have become backup band of choice for Nick Olivieri and Mondo!

Handbags, lads...remember when WD got into a fight with Good Charlotte? classic stuff

Urgh

I hate them generally, but even more so as they are my Mum's favourite band.

hmm

Maybe they were tired or something.

Queens dont usually short change ya. Both times I saw em at Brixton they played about 30 songs.

is the gripe of this review:

1. the set was too short
2. you wanted a greatest hits set
3. 1+2=3

I can see what you're saying, i've left a lot of gigs remarkably early of late (and that time is frankly ridiculous) but surely they were always going to play new stuff over old?

Yes, but...

...a stone-cold classic wouldn't have gone amiss.

but it would have been incredibly cheesy

they played little sister & song for the deaf, that was fine for me and I am a massive Queens fan.

It wouldn't have been cheeesy!!!

If it wasn't £20 a pop for tickets I could have understood a focus on new material and no real HITS.

But, considering it was so pricey, the least they could have done is come back for a two or three song encore of the hits.

linkin park

did a greatest hits set

:D

thanks for this review mike
it made me feel better

the gig *wasn't* for the fans though

It was for them to showcase/practise their new material & play for the members of the record companies (polydor mainly) who were stood at the back of the room nodding along to the music.

The fans were an added extra, an after thought.

That's my opinion though, the fans bought tickets to hear the new material played live, not to hear No One Knows & Lost Art of Keeping A Secret for the god-knows-how-many-times live.

It will be interesting

to see what sort of set they play tmw night. They're playing a 1000ish capacity venue. The show tomorrow was originally scheduled to be the warm-up for the Wireless thing in June. Will report back

I agree with you on that part

Why did it end so early?

coolest mum ever

or should i say Mom

They came up with the goods tonight

Plus points

A full length set
The new songs sound pretty darn good
As far as oldies: Little Sister and Burn the Witch as mention above, but also:
- The Lost Art of Keeping a Secret
- Feel Good Hit of the Summer
- Go with the flow (biggest crowd reaction)
- The one that goes 'they keep on playing our favourite songs...'
- A couple of others whose names i've forgotten

Couple of minor niggles

Sound was a bit muddy at times. Normally very good sound in the venue they were playing
The crowd did exhibit a bit of a pong. (In general Parisienne(correct spelling?) audience are never in my (limited) experience malodourous)
Finally, no support act, just a DJ on stage playing the sort of songs that used to play in indie clubs in the 90's during the 'metal bit.'

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