- Venue:
- 100 Club, London »
- Artists:
- Dan Sartain »
- Plate Six »
He’s a jawbone to admire, a slender frame that many a mid-twenties man would kill for; his songs bleed upwards from his heart while his fingers bleed in accordance with gravity from all the pluck-strum-jerk actions at his wrist. Dan Sartain ain’t your average rocker rolling with the trends of the money-making. Dan Sartain ain’t your average anything.
Sartain’s records to date have been rooted in romance; his heartache and break has informed some fine songs, songs that compositionally and stylistically walk a tight rope over from a punk-rock precipice to something truly throwback. Tonight he’s not sporting the quiff of his tour poster, but Sartain’s an old soul in the shoes of a youthful foot soldier trying his best to walk the way the world’s not rotating. If time travel were possible, you expect he’d take a one-way to a simpler era; at least back to a time when his head wasn’t so controlled by the spur-of-the-moment lurches of the heart.
Tonight Sartain’s girl dun bad, girl dun good emoting is backed ably by Plate Six, who also support with a set of their own material. It’s punchy post-hardcore, gruff like Hot Water Music but with hooks enough to appeal to the more pop-minded of attendees. While interest amongst the assembled is limited currently, come the release of their Battle Hymns For A New Republic album in April it’s probable that those in early tonight will be telling their mates that they were there before the trio made rock press headlines.
But Sartain, quite predictably, is the star of this show; the charisma he exudes is quite unlike that of many a solo performer, and his run through of selections old and future – new songs are tossed into a set list featuring fan favourites ‘Drama Queens’ and ‘Hangers On’, as well as recent single ‘The Flight Of The Finch’ (review) – presses all the right buttons. The age range of those watching him intently varies from late teens to something that’d be inappropriate to publish, and this is absolutely indicative of the appeal of Sartain’s music: such is its timelessness that it can’t fail to strike a chord with men and women of all ages.
Providing they’ve felt the touch of love and had it sting like a Chinese Burn delivered by a pro wrestler, that is.
Photograph taken from Dan Sartain's MySpace
- In Photos: End of the Road 2009
- Label Focus #12: One Little Indian
- Dan Sartain - Thought It Over
- Dan Sartain - Thought It Over
- St Valentine's special: Dan Sartain talks heartache and heartbreak
- Dan Sartain, Plate Six at 100 Club, London, Wed 07 Feb
- Dan Sartain, Plate Six at 100 Club, London, Wed 07 Feb
- Dan Sartain - The Flight Of The Finch
From the archive
Two Tears
Shame you didn't include, bottom of the bill, Two Tears in your review, who blew both the other acts off stage, despite some rather cumbersome drumming from a member of Plate 6. Personally, I thought Plate 6, in backing DS, totally suffocated his songs, with their dirge rawk rhythm section and that earlier gigs backed by The Soledad Brother's drummer were much better.
Submerged
I agree, his sound was swamped by Plate Six. Dan is so much better solo, or backed by his friend Rajaan on drums.
Not his friend anymore..
..he hates Raajan. Wont explain why. But you wont see him on tour again. And Plate 6 dude actually backed him on the last tour as well. Just a different drummer this time round. That's it.
When I interviewed
Dan he said Rajaan had got married so didn't want to tour and leave his wife, maybe that was a cover up...I saw Dan play with David on bass last year and they were great...though I hope Dan will go back to performing solo.

Dan Sartain
Plate Six
DiScover: Exit Calm
DiScover: Ape Has Killed Ape
Talkin' 'bout Revolutions- DiS meets Biffy Clyro
In Photos: Camden Crawl Launch Event @ The Blues Kitchen, London
In Photos: La Roux @ Shepherds Bush Empire, London
In Photos: Decemberists @ The Forum, London
In Photos: Dean & Britta @ St. Giles in the Fields, London
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