- Venue:
- ICA, London »
Like many a trail-blazing pioneer rock act, *Mogwai *used to be the future but after the release of their last album, Happy Songs For Happy People, many wondered if the Glaswegians weren’t a spent force. With their quiet-loud dynamics and expansive, sparsely-vocalled song structure reproduced and paid homage to rather competently by many a youthful ensemble, naturally there were questions asked of their relevance. This residence of the London ICA for five nights will surely put any doubters to rest.
There has always been something special about *Mogwai *that has allowed them to transcend any pigeonholing. Referenced by so many of their peers as a major influence, the quintet also crosses the spectrum in terms of their support, enticing indie kids, goths and rockers alike. It is a wonderful and pertinent point for the sumptuous musical combinations that they perform are just as conflicting and seemingly incompatible yet blend together with such unerring harmony that everything highlights and underlines the other.
The air held a notable respect from the audience tonight – the between-song silence will attest to that – and one couldn’t help but wonder if there was not too much respect afforded to the Scots tonight. Could *Mogwai *possibly tumble from the heady pedestal that they were quite clearly glued upon? Once the final notes of opening track, ‘Glasgow Mega-Snake’, had finished reverberating it was clear that there was no need to wonder about any falls from grace, as the rich splendour and musical elegance offered to the crowd was second to none.
Playing such crowd-pleasers and ‘Ithica’, ‘Helicon 2’ and ‘Stanley Kubrick’ _paid every dividend tonight as they merged with new tracks such as new single, _‘Friend Of The Night’ _and the set opener. There was no disparity in quality throughout and the set had the feel of a collection of their greatest hits. There are no comparisons to be made here. Mogwai don’t sound like other bands; other bands sound like Mogwai. Their forthcoming album, _Mr. Beast, can be expected to take all their ideas even further than before, bringing a whole new level of experimentation to the fold.
*Mogwai *are just as relevant and inspiring today as they were a decade ago when they were wowing the crowds in and amongst the UK’s toilet venues. After just over an hour experiencing the fine tones of a band that is supremely comfortable within itself and continues to create grand, timeless masterpieces, there can be no doubt about that.
_ Photographs from Tuesday night's performance by Lucy Johnston
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they were...
so f**king good on Tuesday! Lets hope they're just as great, if not better on Saturday night too!
Even if you lose faith in Mogwai - the minute you see them play live, its usually restored.
am i the only fucker...
who thinks happy songs is amazing? what's all this bollocks about them being a spent force. just listen to the bloody album. It's phenomenal!
However,
on Wednesday they were infinitely better than on Tuesday, even admitting so themselves and apologising to anyone who paid £100 for a Tuesday ticket on eBay. I didn't want to dislike Tuesday's show, because I'd been looking forward to it loads, so I stayed positive and blamed the large number of unfamiliar songs for my hesitance. By the end of Wednesday though I was happy to admit Tuesday was substandard, and I'm kinda gutted I sold my Saturday ticket in order to stay home and revise...
I always...
...thought that 'Come On Die Young' was boring and directionless. Love 'Happy Songs...' and pretty much anything else this band has put out, like.
i was there on wed
and it rocked sooo much. possibly the best gig ive ever been to. absolutely loved every minute of it. thought the new songs sounded ace - easily as good if not better than the ones they played that i knew. the set closer mogwai fear satan completely blew me away - i was exhausted by the end. i love happy songs. but i love all their albums. because they are all great.
Yeah
It was simply stunning.
happy songs
is beautiful and perfect

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