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The Subways

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It's not often you come across a band as badly dressed as The **Dirty Feel**. Looking like New Jersey natives desperate to blag their way into Studio 54, (or extras from Austin Powers), their willfully sleazy, but ultimately pedestrian pub funk is fleetingly entertaining if only for their gurning onstage facials. Although they will never do for white-boy funk what The Darkness did for falsetto hair metal, their current B-side 'Love In' is at least an amusing, testosterone-fueled grunt-fest.

You'd be mistaken in thinking that The Subways are some tweenie indie chancers plucked from obscurity by Eavis just nine months ago; in fact they've been toiling away and tirelessly touring since the end of 2002. They've cut their teeth, paid their dues and with their sophomore single 'Oh Yeah' soon to be released, their fanbase will increase exponentially. But tonight things do not start well for the Welwyn Garden City three-piece. Young Billy Lunn is not happy with the sound quality: between songs he asks politely for adjustments, before giving up and swearing at the soundman the aplomb of a down and out wino. But it's this frustration that spurs on drummer Josh**, Billy and his other half, bassist Mary-Charlotte**, igniting the spirit of rebellion as they surge towards a heady finale, their set scarcely grazing the 30 minute mark.

Billy might be barely out of his teens, but his howl is note perfect and certainly belies his age, coming in somewhere between Jason Von Bondie's squalid snarl and Craig Nicholl's petulant wail. However, it's bass minx Mary-Charlotte who is the true focal point. A rake thin dynamo, a whir of razored blonde hair, a coy bra strap slipping, she thrashes about the stage like a cat hawking up a fur ball. There's a reedy quality to her vocal which can grate, but it has enough bubblegum cuteness and rebel girl bite to be the perfect foil to Lunn's bluesy delivery, particularly on the fiery 'Rock 'n' Roll Queen_'. The Subways are not going to change the world, or re-arrange your brain. It's just party music, so go see them in some dingy dive bar, drink copiously and get scuzzy and sweaty and they'll make perfect sense. KTB

  • The Subways 7 / 10

The Subways

..............because if you're not drunk, they are crap.

Re: The Subways

When I'm drunk I'm very critical.
So, should I just avoid this lot altogether?

Re: The Subways

yes.

The Subways

in today's NME (housemate bought it for the free cd), there's a review of these, there's one line along the lines of "at best they're like the Von Bondies, at worst they're Mclusky with a future in modelling" -i was angry. very angry.

Re: The Subways

I love the way we have to justify having read anything that was printed in the NME on DiS. It's hilarious.

The Subways

"at best they're the Von Bondies, at worst they're McLusky..."

You WHAT!? Methinks the editor swapped the names there...

The Subways

They are bloody awful.

The Subways

are an embarassment.

Whoever compared them to the Von Bondies should be shot too. The Von Bondies can PLAY for a start....

The Subways

they're shit, and silly wankers too.

Re: The Subways

they're not the most original band in the world, but they're pretty good at what they do and there's nowt wrong with that.

The Subways

...in the same way that polystyrene blobs are great at protecting things in the post yet aren't very exciting on their own.

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