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What to say? Where to begin? Bloc Party have been cosseting your ears for a matter of months now, and they’re one of those so hot right now bands. And rightfully so. But this is a plead for clemency; end your fashonista love, ignore your Face-endorsed interest, submerge your pre-major album release oneupmanship. Open your eyes and tune your ears. Bloc Party are the real deal.
Even to use that phrase seems wrong, sullying somehow; to attach labels or even to propel them forwards is unnecessary. It will happen, it is happening. Spare them Jonathon Ross.
Tonight’s gig at the Islington Academy is a case in point. As we sweat in the bowels of an over-furnished room, beset by expensive branded drinks and surrounded by chattering Von Dutch devotees, we stand in anticipation for a band that has already circumnavigated the sharks of cool; for inside the eye of the storm is beauty, serenity, peace and purpose.
Already, last month’s Bloc Party is old Bloc Party. The ideas overflowing from the band today in their new songs is overwhelming. The re-design and reaffirmation of their old material leaves original recordings obsolete and skeletal. It seems that currently, Bloc Party are racing against time to fulfil their own potential. It’s quite scary.
Hence, The ‘Marshalls Are Dead’ has been transformed from a wiry, sparse eulogy to sloganeering into a juggernaut of a manifesto; Gordon Moake ‘s bass is seismic and enveloping, while Kele Okereke* contorts what used to be a fearsome yelp into an authoritative emote, full of fury, control and purpose. ‘She’s Hearing Voices’ is otherworldly in its delivery; furious, confrontational and so, so danceable. Russell Lissack sets the song alight with the sort of guitar pyrotechnics that belie his pubescent Bernard Butler look and hints toward the avant-garde genius of Jonny Greenwood. ‘Banquet’ is greeted like the musical event it is; and Kele pounds through it with breakneck speed, transforming it into a urgent hymn to disjointed love, underpinned by the jaw-dropping drumming of *Matt Tong. ‘This Modern Love’ is a song built of Liquid Gold, whilst an ecstatic, joyful ‘Little Thoughts’ is wide-eyed euphoric and propulsive.
The new songs offer a glimpse into Bloc Party’s future; raging beasts full of monitor-shattering guitar precision and convulsive rhythm. Like old Bloc Party, but everything more so, like old Bloc Party but oh-so new and oh-so exciting. Heady times. Unfortunately, new songs mean no ‘The Answer’, no ‘Like Eating Glass’, no ‘Staying Fat’, but…
Fears? That no band can hit a run like this forever without careering off the tracks, crashing into a brick wall because they just couldn’t stop. Like a genius scientist whose brain engorges itself with knowledge and greatness before finally exploding.
Slow down Bloc Party, you’re leaving us breathless and winded.
But oh so good.
Photo by Sonia Melot
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from the one i've seen on mtv it is simple.
turn up treble on guitar. learn some ska chords and then play them in a different rythm (i'm not actually musically so i wont give you the timing... im sure you can work it out)
for the bass get a jazz musician to play fairly laid back.
add some wailing and you are away!
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i don't like a sound if it's not clean... (unless they're an extrordinary band- bloc party are not)
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anyway
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As for truth, that's up to you. What do you define as truth? The Libertines? No thanks. The Vines? No thanks. Give me a band who can play and have an ounce of an idea an don't simply sound like it is 1981, or 1995, or 1978, or fucking 1974. Give it a rest.
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and anyhow if the person meant they wanted that song then i wouldnt be far off wrong would i :-P
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What's wrong with 1974, you petulant bassist!
Right, see you at Stanstead.
Matthew x
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oh yeah, i forgot. london is the epi-centre of the world. get over it, there's more to british music than that cesspit
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London has been musically red-hot for about 9 or 10 months, it's great.
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finally someone else to plug mjs with me.
go! to mysteryjets.com
download! their last single from said site.
be! excited! be! be! excited!
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Biog 'n' shit to follow.
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seriass.
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I haven't really made an opinion on the band, other than they aren't very memorable. As it goes I'd rather listen to them than most of the other crap on MTV2, all I was merely commenting on is that the song I have seen on MTV2 isn't particularly anything groundbreaking.
I stand by that Limp Bizkit are probably the most entertaining band I have ever seen live
And Rancid are the best band ever. EVER
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x
gen
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and its like that in london.
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and they have low pitch backing vocals that are so simple but sound so damn arty.
they kick.
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EBGB's looks like a converted coal cellar with barrel vaulted ceilings just like the Cavern Club. The stage was hardly raised at all & the audience stood right in front of the band creating a very intimate atmosphere. I was stood right next to the guitarist when they played 'Banquet'. 'Positive Tension' and 'Little Thoughts' were the highlights. I got the impression that the audiences were unfamiliar with their material. No one sang along and few people danced. That may soon change if they continue to live up to the hype.
They used quite strange effects on the guitars. A friend of mine described them as 'using their guitars like synths'. Very innovative.
As mentioned above they have a very tight live sound due, in part, to their brilliant drummer.
I spoke with the band after the show and they said they would be recording their first album in January next year. Looking forward to that.
I will also mention that their guitarist gave me the limpest handshake anyone has ever given me but, after all, he probably gets sick of shaking drunken morons' hands after gigs.
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if you're gonna insult a band, at least do it properly -
anyone (and i mean anyone) can slag off any band in exactly the same way you did.
just wanted to say that was pretty weak.
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The wee chinese drummer certainly knows his kit though. Other than that - what the fuck is all the fuss about?
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I do like bloc party very much but i just hear too much emo in it for it to really do something for me. She's hearing voices is colossal though. And i frickin' hate the term 'Art-rock' it's the most pretentious puddle of codswallop i've ever heard. New Rhodes are completely different to Bloc Party but have a brilliant style, they're lovely lads, aren't trying to be part of any scene and write some of the most cracking pop tunes i've heard in a long while... will we see a feature on them here soon? I hope so...
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Yeah, they sound a bit like the Strokes, and yeah, they sound a bit like the Smiths. Do the Strokes sound like the Smiths? Of course not. So whats wrong with fusing the sound of one of the best bands of the 1980s with one of the best bands of them erm, noughties, for want of a better word to make something that is kind of derivative but also fairly original. I can't think of a single other band that New Rhodes actually sound like, all of the time.
As for going for ages, a) they haven't been, unless you count the first absolutely directionless year after they formed at school where they didn't exactly know what they were doing in the whole being a band and writing songs thing, musically proficient as they were, and b) is that a crime? They've spent nearly three years working on their songs and sound now, and i don't care what you think, they're fucking good now. So there. And they're getting better all the time.
Too derivative to get signed? You are having a laugh with that, aren't you? New Rhodes have a damn sight more originality than someone like The Ordinary Boys or the 22/20s. I only use those two examples because they're utterly, utterly derived and utterly, utterly signed, too.
I really, really like Bloc Party too. They are fantastic, original, and dead exciting to listen to/watch. So at least we agree on something.
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I presume the argument is that to qualify rock music with the prefix 'art' is pretentious, because it seeks to draw a line between itself and the popular (vernacular, you could say - I'd describe that as Stereophonics, or Travis, music that is earnest, crafted and aspires to nothing more than being whistled along to). Art aspires to beauty and originality. Art is good. Art rock is good rock, to my mind.
Rock is pretentious, arguably more pretentious than any other art form (so let's argue about it). It's full of half-educated, half-intuitive manifestos, groups who see themselves as fundamentally better than everything else around them. Of course it's pretentious. It is also glorious.
I have to say that I don't consider Bloc Party to be all that. Didn't enjoy their recent live set in Manchester at all. They sounded a bit Clashy on Peel when I heard 'em, but live they just sounded limp.
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While they may aspire to it, hardly any of the so-called art-rockers actually accomplish anything of beauty or originality. Well, beauty perhaps, as that's in the eye (or ear) of the beholder. But nothing's really original - in rock music especially. I do think Bloc Party/Franz etc are wicked at times, but i wouldn't say original. Individual maybe, but not original. Whereas (this is a lazy example i know) people like Sigur Ros or Squarepusher are almost always consistently original. What makes some rock 'art-rock' really? To my mind, it just seems to come from being influenced by (admittedly brilliant) late 70s/early 80s post-punk bands and having the whole jerky, choppy guitar thing going on.
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some emo is good, some emo is bad.
Art Rock
Who are the so-called art-rockers, as according to NME? I don't read it. To me, art-rock comes from sources such as Television (hence my review of them, in which I descrive them as 'the paragon of art-rock bands', Sonic Youth, Tortoise, Stereolab, Can - bands who it is fruitless to compare anybody else to, bands who other bands aspire to be influenced by. Innovators in their field, who have left a genuine body of artistic labour behind, who have achieved the artistic dreams of beauty and originality.
I think it's a shame if art rock is used as a media whore term to flog a few retro skinny guitar merchants lame-ass records.
Squarepusher is an artist (if not an artrocker). Warp's a great place to find genuine artists (It really pisses me off when American major labels refer to their pampered pop kittens as artists... But hey...)
"Beauty is truth and truth beauty
That is all you shall know on earth
And all you need to know."
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Class.
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this is a fact.

Bloc Party
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