Even though it’s only February, it’s hard to imagine many releases of the next ten months shifting Beat Pyramid from the upper echelons of many an end of year list; or, at least, the lists of those publications who’ve taken the rhetoric with a pinch. Regardless of what tonight’s 25 minutes of action – yes, the band loiters on stage for only 25 minutes – ultimately yields, one mustn't forget that These New Puritans have constructed one of the most innovative albums of this year.
And onto said show, or at least what little of it there was. Sure, there may be the odd protest that the sound could have been better; several calls from the front row for "more laptop" and "more bass" may have been met with an uneasy silence, but one can hardly imagine the band would have taken to the stage minus a soundcheck, surely not? (Unless they arrived too late for one, of course – Ed) Which can only suggest that petulance and a belief that maybe they've read too much into their own hype may have taken over this evening; or there's the fact that the surprisingly sparse crowd may also have dampened their enthusiasm slightly.
From a personal point of view, what is most disappointing is the fact the band seem to have completely discarded some of the songs that got people interested in the first place. Okay, so performing 25 minutes of a 45-minute set isn't the best way to make new friends, let alone influence them, but the fact they only played seven songs meant there was no time or room for 'C16', or 'Chamber', or 'Tracey Emin', or 'Infinity Ytinifni'. And that's just for starters.
We aren't asking for marathon sessions of a prog-rock variety, but when the songs that were played sounded pretty much flawless (to these ears at any rate), it’s hard to find any other discernible reason other than the ones already mentioned as to why the band chose to frustrate rather than engage those who had made the effort to watch them.
In terms of potential, These New Puritans could very well be one of this country's most sacred treasures for many years to come. Sadly, it's nights like this that will either secure or sabotage their future, and tonight would perhaps be better off entered in the annals under Best Forgotten.
Photo: Matt Irwin
i think it was the band requesting more laptop
i had complaints about the lack of bass. but i always seem to with the social, i dont get it.
everytime ive seen them their set has been hideously short.
To be honest
this was the third time I've seen them and every time they've left me underwhelmed.
Me too
although, this having been the first post alubm, I'd hoped maybe they'd rise to my expectations. They didn't. Infinity ytinifnI or C16 might have saved it, but they weren't present.
Fortunately this remained a great evening.
I was a little bit underwhelmed
it was the first time I'd seen them.. they looked a bit disinterested. Maybe the singer's chainmail shirt thing was a bit heavy.
He'd obviously been round the Tales
of Robin Hood prior to soundcheck then.
*instead of soundcheck
^Hits nail on head^
ouch
didnt they play like a minute of C16th though? just a verse and a bit of music. maybe its a different track on the new album though, still havent heard it.
Nope
Have the setlist right in front of me. No C16.
Swords of Truth
they used some of the music and words from the demo version of C16 in Swords of Truth ("Who wrote all the numbers in your body" bit) so it was probably that.
When i saw them a week or so back they didn't play C16 or Infinity Ytinifni either. I enjoyed the set though.
you are probably right
picky puritans
I know this is a little late, but TNP definatly DID have a soundcheck and I thought they sounded fine.